the manchurian candidate denzel washington

The punch line is that he's absolutely right about everything except his own place in the scheme. Major Marco's conspiracy theories, whose fluid borders absorb everything from mind-altering implants to corporate manipulation of politics by assassination, are exactly the kind of intricate web of unlikely connections and far-fetched conjecture that schizophrenics weave from the tatters of their shredded psyches. If ever a story embodied the grimly joking aphorism that paranoia doesn't mean no one's out to get you, it's this one.

Convinced that he and Shaw underwent some experience in Kuwait not reflected in the official story - which includes Marco's conscious memories but not his unruly dreams - the increasingly jittery Marco makes repeated attempts to speak with Shaw, attempts that look alarmingly like stalking and undermine what little credibility he has left. He has an unsettling run-in with a seriously disturbed member of their old platoon (Jeffrey Wright), and presidential candidate Robert Arthur (Tom Stechschulte) nominates Congressman Shaw as his vice presidential running mate in place of presumptive candidate Sen. Two events force Marco's longtime obsession with Shaw to new heights. Eleanor Prentiss Shaw (Meryl Streep) - herself the daughter of a brilliant businessman and widow of a principled, charismatic politician whose seat she assumed and then made her own - has forged a brilliant post-military career. In the present day, Marco, now a major, is tormented by grotesque nightmares awash in blood and bizarre tangles of scary machinery, while Shaw, the wealthy son of powerful and ambitious Sen. All but two of the men later make their way back to safety and Shaw is awarded the Congressional Medal of Honor for his heroic actions on the battlefield.

Raymond Shaw (Liev Schreiber) and their platoon are ambushed and are MIA for three days. Frankenheimer's CANDIDATE is a very nearly perfect adaptation of Richard Condon's 1959 novel, but Demme's retooling is a fine and thought-provoking film in its own right. Jonathan Demme's spectacular recovery from THE TRUTH ABOUT CHARLIE (2002), a disastrous deconstruction of CHARADE (1963), is a smart, timely remake of John Frankenheimer's 1962 thriller.

The manchurian candidate denzel washington